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3; cf. also Part II. 23. Page 20 4. One way is to begin with the use of zeugma. Zeugma occurs when diverse clauses are united by the expression of a single verb. 5. Indeed, zeugma has three variations. 6 6. 7 7. To cite my own example, if there be question of applauding the female sex, one should begin as follows: Parasis is celebrated for her fondness for the bow. Luxuriating with a reflection of Spring's figure, rich in ancestry. 8. If there is question of criticism of the female sex, one should begin thus: Of the female sex Medea is the scum, the ruin of justice The disgrace of the world, a sick plague.

Patrick Hepburne-Scott (New York, 1957). Page 3 (church rhetoric), De Schematibus et Tropis (figures and tropes), Ars Metrica, Ars Poetria, Ars Versificatoria (versification). 4 Significant treatments of literary or poetic theory as such are rare. The Ars Versificatoria translated in this volume is an example of the practical service rendered by adapting the common doctrine of language form and techniques to a particular communication mode. The Vernacular Tradition Versus the "New Poetry" Despite the strengthening vernacular literary tradition and the general withering of the Latin language, a metrical Latin poetry continued under the auspices of monasticism, first in Germany and later in Northern France.

349-381. 6 See Nun's Priest's Tale, 11. 527 ff. Page 4 formal perfection through the techniques of language, and the work of the versifier was judged according to the perfection of that form. Because form fell within the conscious control of the writer, the craft of medieval verse could be taught and learned. Literary art was practiced by conscious imitation of Latin models and by studiously avoiding defects of form and style. 7 It was not until these prescriptions for the writing of Latin verse were adapted to verse writing in the vernacular that a poetry of feeling and stimulation developed.

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